III
I guess Conservative Punk would rather kiss neo-con ass rather than write a tribute for the "godfather of punk".
I guess Conservative Punk would rather kiss neo-con ass rather than write a tribute for the "godfather of punk".
Sure enough one equally politically-correct group has printed a tribute to Hilly. Sheesh, about the only difference between politically-correct groups is one is "anti-bigotry" and the other is sneeringly pro-war and pro-pollution.
http://www.iht.com/articles/ap/2007/08/29/america/NA-GEN-US-Obit-Hilly-Kristal.php
Just saw this docu-drama about men with apparently a bit of an attachment to animals, particularily horses. More specifically about the infamous "Mr. Hands" case. (I myself having seen one of the Mr. Hands films...) It's beautifully shot -- no, you don't see any horse action, hee-hee! -- with a rather annoying soundtrack. It's a bit silly when these people start to justify their debauched interests. But this sordid story does have plenty of dark spots...
These days I haven't been able to buy records. Not much happening these days anyways. But after Tony Wilson's death I've been digging up various Factory reissues I've had in my collection for years. Also had been on Yahoo trying to find more info on Factory, what went wrong, etc.
I know I'm a little late talking about him. But I did have a fondness for early Factory Records stuff. Always had cover art that looked like Modern Art, and the music equally so. But if Factory ended like a dwindling party, then I couldn't stay. (Saying that as I never lived in Manchester England at the time...) Eventually things got dancy-er and Wilson wasted capital on things like the Hacienda and Happy Mondays. But you know all that.
So all the ballyhoo that Stewart Home spewed about Sol Invictus only made me play that Above The Ruins album a few times. So it's mostly Joy Division/Magazine inspired fare about three years after that style died down. Frankly I found little of anything explicitly nazi about this record -- maybe "Progress" hints at some kind of rebellion and mentions "Marxism" but that's about it. Of course I only heard two songs by No Remorse -- err, "Adolf Hitler" being mundane three-cord punk with some half-decent solo guitar, and some boring tribute to Ian Stuart with cack "classic rock" guitar that made me think of a nazi John Cougar Mellon-dreck(!) Oi Vey...
Is there any kind of cack-handled white-trash rock he doesn't like? Like his write-up in City on Midnight Creepers. On his description I was expecting something like the Brainbombs but hearing MC's My Space page it sounded like the same old punk-by-numbers. Are the Brainbombs the only true punk band left standing? Who seem to know punk is more than three chords and shite production with the treble turned up?
by Norman Finkelstein. Couldn't finish this book -- just made me too angry, though obviously not at Finkelstein!
Isn't it funny how some critics and writers turn their backs on something they once gave lip-service to? Like punk rock. I know that's old news but also not so old is his 180 degree turn on Death In June. Like I really give a fuck if Sol Invictus shared a member with bonehead band No Remorse. There's much worse things happening in the world now as it is...